Table of Contents Table of Contents
Previous Page  70-71 / 168 Next Page
Information
Show Menu
Previous Page 70-71 / 168 Next Page
Page Background

68

69

36

KILIM WITH FISH MOTIF

SAQQEZ, KORDESTAN, IRAN, CIRCA 1930

Handspun and handwoven cotton warp,

wool weft, natural dyes

49.5 x 78.5 in (126 x 200 cm)

$ 3,035 - 4,550

Rs 2,00,000 - 3,00,000

Saqqez is a province in north west

Iran, largely populated by the

Kurds. This

kilim

is a fine example

of a

senna

made with the slit

tapestry weaving technique. In

the centre is the popular Herati

pattern of a double diamond. It is

filled by the classical arrangement

of a fish pattern, generally

characterised by a double fish

around a water tank or a pond. It

is surrounded by an asymmetrical

ground of floral and geometric

patterns set within multiple

narrow borders. The motifs of

the fish and water are associated

with fertility and prosperity, and

their representation on this rug

inspires those sentiments within

the space it inhabits.

35

JAHNAMAZ PRAYER MAT

ISFAHAN, IRAN, CIRCA 1930

Handspun and handwoven cotton, hand drawn and

painted, natural dyes

36 x 53 in (92 x 135 cm)

$ 1,520 - 3,035

Rs 1,00,000 - 2,00,000

This prayer mat offers a stylised

depiction of a mosque flanked by

two large domed minarets and

smaller ones in-between. A central

mihrab

or niche, represents those

in mosques which point the

devotee toward the direction of

Mecca.

The

mihrab

is filled with a field

of paisleys; similar looking but

in two different sizes, each is

comprised of tiny blue and white

flowers. Arranged in neat lines,

they face opposite directions in

each row. At the top are two

peacocks with an inscription in

Farsi that tells the devotee to

bow his head in gratitude to the

Almighty, Allah is great.

The

mihrab

is flanked by a series

of borders that allude to the

walls of the mosque. The first

is a border of a scrolling vine

with an assortment of blue and

red flowers meandering across

its length. The next consists of

Cypress trees, considered sacred

in Iran, which frames the

mihrab

,

with a line of paisleys running

across the bottom.

Depictions

of

architectural

forms are common in textiles.

Similar prayer mats made at

Machilipatnam, Andhra Pradesh,

are in the collection of the

Victoria and Albert Museum

(IS 1761-1883)