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22

23

PROPERTY FROM A DISTINGUISHED

PRIVATE COLLECTION, NEW DELHI

7

RAM KUMAR

(b. 1924)

Untitled

Signed and dated 'Ram Kumar 1963' (on the reverse)

1963

Oil on canvas

14 x 20 in (35.6 x 50.8 cm)

Rs 20,00,000 ‒ 30,00,000

$ 31,750 - 47,620

PROVENANCE

Acquired directly from the artist

The present lot is an unusual work from Ram Kumar’s early

Benaras paintings. The small size and the textured brown

background, which veers towards maroon, are both rare in his

oeuvre. As is now well known, a trip to Varanasi with Husain

in 1960 was a defining moment in Ram Kumar’s life. The city

of death and rebirth supplied Kumar with a new exposure to

human suffering and he sought to portray the despondence

and torment through increasingly abstract depictions of the

city.

His paintings from this period were characterised by their

gaunt, dark colour palette, as seen in the present lot. “The years

from 1960‒64 comprised a predominantly “grey” period, the

sternest and more austere in his career. Using the encaustic

process Ram even delved into shades of black. Greys derived

from blues and browns set off the facets of the textures, the

drifts, the engulfed landforms, the isthmus shapes and the

general theme of the fecund but desolate landscape.” (Richard

Bartholomew, “The Abstract as a Pictorial Proposition,” Gagan

Gill ed.,

Ram Kumar: A Journey Within

, New Delhi: Vadehra Art

Gallery, 1996, p. 30) The present lot presents just such a Cubist

patchwork of riverbank buildings which seem to float on the

maroon backdrop with no suggestion of water or sky, invoking

isolation that is without scale or mooring.