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22

23

Religious subjects were frequently featured on these

rumals

, often drawn from the epics of the

Ramayana

and

Mahabharata

. The most popular appear to be

depictions of Krishna. Much loved amongst the

pastoral communities residing in these parts of

Himachal Pradesh, portrayals of Krishna with Radha

or the

gopis

is a recurrent theme.

The present and the following lot, depict

interpretations of the

Ras Lila

. Krishna is the central

figure in this

rumal

, bounded by a circle of delicate

pink flowers, an offering to the god. In a circular

pattern are five

gopis

, each paired with her “own”

dancing Krishna. Krishna is believed to have had

the ability to replicate himself so that each woman

thought she was dancing alone with him.

The unique present lot is one of the few known

Chamba

rumals

that can actually be attributed to a

maker, Maheshi Devi. She was said to be one of the

last embroiderers who actually worked in the Chamba

tradition and was skilled at

dorukha

embroidery. In

1967 she was the first recipient of the National Award

for this craft from President Dr. Radhakrishnan. She

and her brother often worked together, with him

painting the design, and Maheshi Devi doing the

embroidery. This is possibly one of the last pieces

they created together. Maheshi Devi trained a

number of women in the art of

dorukha

embroidery.

Unfortunately, no effort was made to train the

painters to draw on the

rumals

and the art gradually

died out.

Jasleen Dhamija acquired the present lot in 1960.

6

CHAMBA RUMAL WITH KRISHNA

IN RASLILA

Embroidered by Maheshi Devi

CHAMBA, HIMACHAL, MID 20

TH

CENTURY

Machine-made cotton fabric, hand embroidered with

untwisted silk thread, double-sided, natural dyes

27.5 x 27.5 in (70 x 70 cm)

$ 4,550 - 6,065

Rs 3,00,000 - 4,00,000

Chamba embroidery is synonymous with large square

or rectangular pieces of muslin or cotton, known

as

rumals

, adorned with figures and floral motifs

embroidered in multiple colours. They were typically

used as covers for offerings to deities or for gifts

exchanged at weddings and other festive occasions.

Numerous Pahari miniatures depict women carrying

trays of offerings to Krishna or Devi covered with such

embroidered

rumals

. At times, they were hung behind

idols enshrined in temples.