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Saffronart | Evening Sale
in plaited thorns.” (F N Souza,
Words and Lines
, London:
Villiers Publications Ltd., 1959, p. 10) This vivid description
manifests quite evidently in
Christ on Palm Sunday
in the
vacant stare, matted hair and plaited thorns – an image that
remained with Souza decades after his first encounters with
the Roman Catholic Church in Goa “which gave him his first
ideas of images and image‒making.” (Mullins, p. 14)
The creation of
Christ on Palm Sunday
coincides with
a golden phase in Souza’s career in London. He shot to
fame after his autobiographical essay,
Nirvana of a Maggot
,
was published in 1955. Around the same time, he held a
highly successful exhibition in London, organised by Victor
Musgrave, owner of Gallery One. Over the next five years,
Souza had a series of solo exhibitions at Gallery One,
where his works were purchased by enthusiastic collectors,
including one of his most important patrons, Harold Kovner.
In 1967, Souza got married and left London for the United
States. He was invited to Michigan by Eugene Schuster, who
was the owner of the newly opened London Gallery, where
he organized one of the greatest Souza shows to date. In
addition to the present lot, Schuster’s seminal show included
several significant early Souza works, including what are now
considered masterpieces –
Birth
and
Lovers –
which have set
records in recent years. The art world in the United States
however, had moved in a different direction by then, and
the Schuster show was not a success. The only painting that
sold was the present lot,
Christ on Palm Sunday
.
It is thus an
extremely important work, both historically in the context
of Souza’s career and also for its unique depiction of a theme
visited by artists around the world through the ages.
PROPERTY FROM AN IMPORTANT
PRIVATE COLLECTION, USA
22
F N SOUZA
(1924 ‒ 2002)
Christ on Palm Sunday
Signed and dated ‘Souza 59’ (upper left);
inscribed and dated ‘F.N.SOUZA / Christ
on Palm Sunday / 1959’ (on the reverse)
1959
Oil on board
50.75 x 21.75 in (129 x 55.2 cm)
Rs 2,50,00,000 ‒ 4,50,00,000
$ 378,790 ‒ 681,820
PROVENANCE:
Gallery One, London
The London Arts Group Gallery, Detroit
The Geisler Collection, Arizona; acquired
directly from the above
Titian,
Ecce Homo
, circa 1560
© Tomas Abad / Alamy Stock Photo
Guido Reni,
Christ as Ecce Homo
Contributor: classicpaintings / Alamy Stock Photo
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