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PROPERTY OF A DISTINGUISHED GENTLEMAN, MUMBAI

35

V S GAITONDE

(1924 ‒ 2001)

Untitled

Signed and dated in Devnagari (lower right)

1985

Ink on paper

10.5 x 7.75 in (26.5 x 19.5 cm)

$ 28,125 ‒ 34,375

Rs 18,00,000 ‒ 22,00,000

PROVENANCE:

Sakshi Gallery, Mumbai

In the mid‒1980s, V S Gaitonde’s

artistic

practice

changed

drastically because of an accident

that caused him to take a nearly

eight year hiatus from painting

on canvas. Gaitonde turned his

attention to smaller format works

on paper, as seen in the present

lot. “His ink drawings from 1985–

87...form an important part of

his overall oeuvre and consist

of nonmimetic calligraphic and

hieroglyphic markings made

with

spontaneous

gestures

and rhythmic movements. The

draftsman of old returns in these

works, and encounters the artist

who has complete control over

cadence, tonality and scale. Here

form meets nonform, presence

meets absence, and movement

meets stillness. These works

unveil Gaitonde’s understanding

of the silences of Zen as well as the

dynamics of Tantra.” (Sandhini

Poddar,

V S Gaitonde: Painting as

Process, Painting as Life

, New York:

The Solomon R Guggenheim

Museum, 2014, p. 31)

Gaitonde’s deep interest in Zen

philosophy and the teachings of

J Krishnamurthy were part of a

continuing quest. “For Gaitonde,

painting was not just what

manifested itself on the canvas,

but it was also a deep inner

investigation. Though he might

have forsaken the paint and brush

during this decade, he did not

cease drawing.” (Meera Menezes,

Vasudeo Santu Gaitonde: Sonata

of Solitude

, New Delhi: Bodhana

Arts and Research Foundation,

2016, p. 187)

34

GAGANENDRANATH

TAGORE

(1867 ‒ 1938)

a) Untitled

Pencil on tissue paper

7 x 9 in (17.6 x 22.6 cm)

b) Untitled

Pencil on tissue paper

9.25 x 6.75 in (23.3 x 17.6 cm)

$ 23,440 ‒ 31,250

Rs 15,00,000 ‒ 20,00,000

NON‒EXPORTABLE

NATIONAL ART TREASURE

(Set of two)

PROVENANCE:

Acquired directly from the artist's family, Kolkata

38

39

a

b