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108

Saffronart | Evening Sale

PROPERTY OF A GENTLEMAN, NEW DELHI

40

KRISHEN KHANNA

(b. 1925)

Emmaus

Signed and inscribed ‘K Khanna / KRISHEN

KHANNA / “EMMAUS”’ (on the reverse)

2006

Oil on canvas

71.5 x 51.5 in (181.5 x 130.7 cm)

Rs 70,00,000 ‒ 90,00,000

$ 106,065 ‒ 136,365

PROVENANCE:

Acquired directly from the artist

EXHIBITED:

Krishen Khanna

, London: Saffronart in

association with Osborne Samuel and Berkeley

Square Gallery, 19‒24 March 2007

Krishen Khanna: A RETROSPECTIVE

, New Delhi:

Saffronart, 23 January ‒ 5 February 2010

PUBLISHED:

Norbert Lynton, Gayatri Sinha and Ranjit

Hoskote eds.,

Krishen Khanna: Images in My

Time

, Ahmedabad: Mapin Publishing Pvt. Ltd.,

2007, pp. 127, 136‒137 (illustrated)

Krishen Khanna’s art focuses on the human figure. The subject

is often that of the subaltern: a term used by postcolonial critic

Gayatri Chakravorty Spivak to denote a class of people that were

“ostracised, hapless victims of society.” (Gayatri Sinha,

Krishen

Khanna: A Critical Biography

, New Delhi: Vadehra Art Gallery,

2001, p. 98) Within this context and beyond, Khanna is concerned

with the individual and his particular condition in society. Band

musicians, waiters at roadside tea‒stalls or

dhabas

,

and

labourers

sleeping beneath trucks – subjects who are otherwise overlooked

– gain dignity in his works.

Emmaus

is situated towards the end of Khanna’s series of Christ

paintings, which began in the late 1960s. They were often allegorical,

in Khanna’s vocabulary, for the political turmoil that emerged during

the Emergency in India in the 1970s. “Through a lack of physical

detail, the paintings aspire towards a quality of timelessness...

Khanna is probably the first painter of the unromanticised subaltern

who does not lend it the redeeming rhythms of his contemporary

Husain or else the abstracted spaces and forms of Tyeb Mehta. The

manacled Christ... or the roughmen supping with Christ at Emmaus

show a kinship with his exhausted labourers sleeping beneath their

dusty trucks.” (Gayatri Sinha,

Krishen Khanna: The Embrace of Love

,

Ahmedabad: Mapin Publishing Pvt. Ltd., 2005, p. 17)

Krishen Khanna

© Jyoti Bhatt

109